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I enjoy the occasional action movie.

I am not ashamed of that. I think that it is perfectly natural. About a year ago I saw the movie "The Bourne Identity". All said, it was fairly decent.

It contained all of the elements of an action movie that are required. That being of course…action and Franka Potente. I have to admit to then being a bit intellectually confused by the movie.

I knew at the time that it was based on a book by Robert Ludlum, but was really unaware of anything else about Robert Ludlum or the book. What confused me was the fact that this fun 2 hour long action movie was ever actually a book.

This confusion turned to interest one evening when I was at my parents’ house and saw an old copy of the book. What the hell, I thought. Its summer, I can read some meaningless action book.

Let me take a moment from this long (and no doubt uninteresting to most) tirade to point out that I am morally opposed to criticizing a movie for not remaining true to the book. However, the degree to which the movie The Bourne Identity strayed from the book was nearly laughable. I was surprised to find that Robert Ludlum was actually a very good mystery/suspense writer. The book was exceptionally dynamic with a quite intricate plot.

Okay, now I will very briefly describe what happens in the movie. Jason Bourne is pulled from the ocean unconscious and shot several times. He suffers from amnesia, has no clue who he is aside from a Swiss bank account number. A bit of a shady premise, I know. Anyway he then embarks on an action filled trip to Paris on the way coming across a bohemian (read unemployed and worthless) woman, Franka Potente, and numerous US government agents trying to kill him. It turns out that he was a government assassin that had a change of heart.

Yes, really I know. It sounds lame. It was lame, but it was amusing.

Now, on July 23rd, one of the most confusing action movie sequels is going to be released.

The Bourne Supremacy

I really know that I should not be at all shocked. All action movies that do moderately well get a sequel or two. This whole thing seems a bit off to me because the original book was actually a trilogy. There were two built in sequels. Yet for some odd reason the screenwriters removed every single bit of the plot that let there be a sequel. The series is supposed to be about Bourne's ongoing struggle with an international hitman named "Carlos." To the best of my knowledge "Carlos" does not actually appear in the movies at all. This is not the only major plot element that was changed for not perceivable reason.

• Franka Potente's character is supposed to be an intelligent internationally recognized Canadian economist- whose influence in the Canadian government is important to the story. For some reason this powerful female character was turned into a worthless idiot.
• Jason Bourne was never an assassin; he was just an undercover government agent trying to arrest an assassin.
• They killed off Bourne's best friend for the rest of the trilogy in the first movie.
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• The government never actually tries to kill him but once. Most of the harms way he is in comes from Carlos.

This is of course not even mentioning that the movie did not come address any of the psychological issues that were in the books, and removed almost all of the mystery and suspense in favor of more action. I only mentioned things that really made no sense to be changed.

Oh well. I will probably see the movie when it comes out just out of curiosity. The sequel is supposed to be about how Jason Bourne goes to Asia after his wife is kidnapped. He has to find and kill an assassin posing as him in order for her to be released. We will see how this goes. Bare in mind, I actually thought that the first movie was all right until I realized how good of a story it could have been.

What the hell is wrong with Hollywood? Why do they seem categorically opposed to having both action and a good plot on the same screen? Why do they take a story that is good and remove all the interesting bits? These are questions for which there are no answers.

After reading an excellent review of the history of the documentary, I decided to buckle down and figure out what is going on with the utter lack of Frederick Wiseman dvds. For those of you who don't know, Wiseman is of the most important figures in American film culture, a man who single-handedly redefined what we have come to consider a documentary to be, and none of his movies are available on dvd.
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He is the master of the cinéma vérité style, bringing the style so strongly to documentaries that documentaries that are not in a vérité style seem somehow inauthentic – hence all the ruckus over the "objectivity" of Michael Moore's new movie. One only has to see about 10 minutes of Wiseman's early films to realize how bogus the "vérité form = objective" argument is – nobody is objective with editing a film. Wiseman, who deals with no narration, only natural sound and long takes of people interacting with their surroundings, considers his films to be "reality fictions" – which is accurate as he can take these natural settings and make the most persuasive arguments out of them. For instance, his documentary "High School" (1968) contains nothing but long, uninterrupted shots of people interacting in a high school. The final products leads you to believe that education functions only to push kids through a meat grinder to make them compatible with America's Cold War empire. At one point the principal reads a letter to the student body from an alumni fighting in Vietnam (off-quoted from memory here): "Without all the guidance and preparation [my high school] gave me, I don't know how I would have ever been able to serve the military in Vietnam." The pride on the principal's face makes us wonder if this is what education was all about in the first place.

The man is still at the top of his game. In fact, two of the best movies he has done have come out in the recent past: "Public Housing" (1997) and "Domestic Abuse" (2001), like all his movies, show people trying to survive within the complex mechanisms of organized beuracracies (chicago's public housing community and abuse shelters in florida in these cases). So where are his dvds?

As a self-proclaimed movie geek, I love that almost everything is available on dvd these days. With a region-free player, a shipping address and the internet, anybody anywhere can have access to some of the best cinema once reserved for film libraries in New York and Paris. It's possible to think of movies being in the hands of the people everywhere, instead of cloistered film circles in isolated locations.

They are also changing the way film is being approached by an audience. Nobody I know has mentioned "The Day After Tomorrow" or "The Steppord Wives" – films with advertising budgets in the multi-million dollar range, but everyone I know is discussing, or trying to discuss, Outfoxed, a movie whose advertising budget consists of a series of emails and that is being mailed out on dvd.

So it pains me to learn that the (a) there are no Wiseman dvds available and (b) it is entirely his own choice. It's not being held up in litigation, no giant company is sitting on the right, or anything else that falls in the shady realm. Wiseman, having paid for the production of the movies, retains full rights to them.
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He sells them on VHS or 16mm reels (no dvd) for $400 a pop, mostly to universities or libraries (a price I imagine absurd even for a library).

I'm drawing a line in the sand. It's weird to say this, but for christsakes, Mr. Wiseman take the money and run! Sell off the rights for Titicut Follies to Criterion, who would pick it up in a heartbeat, and let cheap dvds of your other great classic films flow free. I could not get a hold of Wiseman himself for an opinion, but Zipporah Films, the company he uses made it sound like the lack of mass availability was entirely his own choice ("this is how Mr. Wiseman has chosen to make his films available…there are no other factors outside of Mr. Wiseman compelling him in this direction").

Mr. Wiseman, your films should be standard issue for all people who want to find the best that American Cinema has to offer; even 35 years later they still evoke a very powerful statement of people trying to survive within America. They are mature works, demanding of an audience, and often produce profund emotional reactions in those who view them.
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So help out the American audience, who access to independent movie vendors who would show your films in increasingly limited, in finding your message.

If not, please consider leaving your estate to ginandtacos.com. We'll see that when the time comes, your film legacy will be carried out properly (ie used in gatorade and sedan commericals).

New York Times Magazine: Not Funnies. Last weekend the New York Times magazine ran a cover story surveying the current state of comics.
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They mostly stuck to top-tier (Fantagraphics, Drawn/Quarterly) North American comics (with a brief stop to drop by Gaiman and Alan Moore).

The article is amazing. Whoever wrote it really did their research. I highly recommend it to both fans and to people who are looking to pick up something new. It also hammers out two very important points, which I'd like to comment on:

1) The Decline of Robert Crumb – For most of the 90s, you couldn't discuss comic books without trying to make them all seem like descendents of Robert Crumb, the misogynistic, disturbed 60s comic book artist portrayed in the excellent Terry Zwigoff movie. Everything followed from him; Clowes and Ware and everyone else couldn't talk about what they were doing without bringing him up.

The problem was that it didn't fit. If you actually read the output of Crumb it's very limited and not all together great. I'm going to break with a lot of people in that I consider it mostly crap. Sure it's misogynistic and self-loathing (and something the movie only hints at, but unbearably racist); what's worse is how repetitive it is. Once you've gotten though about 10 comics of his you know what you are in store for. So why are people like Clowes, who has had one of the most expansive careers in comics, with every project varied and rich, going to bat for this guy?

The magazine points out that all these people, even Sacco, go through an intense self-loathing period in their comic art.
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Their comics reflect their otherness, their sexual misadventures, and their problems with other people. Crumb gives them the ability to say "this is ok.
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Keep doing this." And these comic artists keep working at it and don't give up; they eventually get the rawer edges of it out of their system, and can go off in exciting new directions. It's a shame Crumb never was able.

2) The Rise of Art Spiegelman The real focus point for looking at these new artists is art Spiegelman. Like a lot of indie musicians of the time period, comic book artists aren't just comic book artists. They are salesmen, producers, advertisers, promoters and a hundred other things. As late as 6 years ago, there wasn't a real industry to nurture your talent – so you had to create one yourself. And nobody has done this quite like Spiegelman. "He's as important as he thinks he is" is an excellent quote, because it's true on both accounds.

3) Diversity in Comics I was a little worried when I first saw that picture. Sure they are some of my favorite comic book creators, but at the end of the day they are guys with poor eyesight complaining about how awkward they are. Then I noticed Joe Sacco was in it. Sacco has been doing amazing work with journalistic comics – it really blows away anything like it. And the writeup they do of him is the best I've seen.

They have so many comics covered than just the normal run-of-the-mill Crumb descendents – "Persepolis" and "Blankets" are by far the two best comics of the past year, and they both get writeups. People should be throwing copies of "Persepolis" from the rooftops; the memoir of an Iranian girl growing up during the revolution is about as far from a 'typical' comic book as you can get.

So read the article. And then read some comics. And then let's discuss.

I think it's official – Will Ferrell is here to stay. And against such odds. I never liked Saturday Night Live after the cast I grew up with (Carvey, Myers, Rock) took off to try their hand at movies. With some exceptions, notably the adorable Tina Fey during weekend updates, I find the show tired. Moreso than ever, the cast seems like they are just sitting out their time until they are semi-popular enough to try their hand at crappy mediocre movie stardom.
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And how mediocre is it? Take a look at some of the movies that Lorne Michaels has produced over the years. Even though "A Night at the Roxbury", "Superstar", "The Ladies Man" and "Coneheads" would be an oeuvre capable of getting you beheaded in most Middle-Eastern countries, the success of "Wayne's World" and "Blues Brothers" keeps these people pumping at the same ol' dry well.

One movie you won't see Michaels' name attached to is Anchorman: The Legend of Ron Burgandy. In fact, there isn't that rank smell of second rate Saturday Night Live actors hanging in the background. No evil-villian-Chris-Kattan, no pizza-delievering-Rob-Schneiders. Ferrell surrounds himself with the best. The Daily Show's Steve Carell plays a mentally challenged weatherman who made the audience I was with burst into laughter just by standing there.
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Paul Rudd is impressive as well, giving a little bit of acting to the group.
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The director, Adam McKay, was a founding member of The Upright Citizen's Brigade, and the humor has that same trajectory of "if it's not working, up the bizarre level." There are so many twists to the humor – a joke that is suddenly taken in the completely opposite direction for no other reason than to see if it works.

And man does it work. There's no point in talking too much about this movie: the joy is how completely immediate Ferrell can present his humor.
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It's overwhelming physical – his mere presence and the way he walks and talks conveys this man who is completely unaware of how much of a idiot jackass he is. But since he personifies everything that was throw away in our mass culture around 1977, we can laugh with him and not at all feel uncomfortable. I think Ferrell has a long career ahead of himself, playing that jackass who you should want to kick in the head but instead you end up giving him a giant hug. Keep it up.

New movie review for Spiderman 2. quick verdict: Amazing. Significantly better than the first.
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A lot more charm, humor and excitement this time around.
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The joke has been made in pretty much every permutation possible. A month ago I heard that John Kerry's polling numbers go down every time he is in the spot light and up everytime Bush is doing…
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well… anything. This situation has gotten pathetic to the point where, I am sure that if I didn't live here, I would have to point my finger and laugh at all Americans. Can someone please tell me what the hell it is about our political system that attracts some of the largest fucking losers this country has to offer? When did it get to the point where our system of government was really just a big joke?

I mean honestly people… how can we sit here and listen to politicians discuss gay marriage and the like and honestly be swayed by the arguements. Do we really believe that whether or not someone served in the National Guard or drove a boat around during the Vietnam war is vital to how well they can lead? How long are we as a country going to sit around on our fat pork rind consuming asses and listen to talking heads debate pandering non-issues?

Well, the truth is in the numbers.
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John Kerry is losing the battle of who do we want to be president least. Is it really possible that we will elect a president this way?
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Looking at the history of New York Times/CBS polling numbers we see a very intrigueing trend. John Kerry is leading Bush by one point (he is behind by one if Nader is considered).

This is not really the interesting part.
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Within the following questions they ask the respondents to comment on how sure they are of their choice. There is a column indicating that you have made up your mind because you dislike the other canidates. Eleven percent of those voting for Bush are doing so because they hate Kerry. However, and dear lord I wish I were making this up, 37% of people saying they are voting democrat are doing so for no other reason than the fact that they think Bush is a fucking idiot of epic proportions*.

Read the poll for yourself if you don't beleive me. All the jokes are actually true. If we elect Kerry in November we are not electing him, we are just not voting for the other guy.

Yeah, so anyway…. Who wants to move to France with me? Honestly, at least they revel in how fucked up their political system is.

*not actual question phrasing

Much to our surprise, politics and sex do in fact mix.

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Personally I never look at the New York Daily News.
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To be quite honest, I have to assume that it is not the most reputable news source around. However I think this story was far too amusing for me to ignore.

Particularly since I found it linked from Rush Limbaugh's website.

Anyway… I guess a large gathering of politicians and the politically minded also results in big business for the sex industry. The New York Daily News is reporting that the prostitutes from around the world are being flown into New York City to supply the demand of the Republican Convention.

Two days before the official date to turn over power, The United States has given Iraq back its government… sort of.

Read about it in the New York Times here

It would really be nice if there was something witty or comical that could be said about this situation. Unfortunately, it is just kind of sad. The irony of handing sovereignty over to a country while you still have 160,000 official troops on the ground sort of speaks for itself.

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Yes, I suppose that Hungary was sort of a sovereign nation before the fall of the Soviet Union. What control are these new leaders actually going to have? I am willing to bet they will not be overseeing "coalition" troop movements.

They are not going to have much say at all as to the rebuilding of the country. They say themselves that they have no imediate domestic of foreign initiatives planned.

So what is the new governement planning on doing? What is going to be different. Well, for one thing they are considering (with US support) rescinding some of the "western freedoms" the United States so proudly gave to the Iraqi people. They want to declare a martial rule to help fight insurgents.
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For all of you out there wondering what point turning over power now serves, it seems rather straight forward. George Bush gets to say he is giving Iraq back to the Iraqis. They get to blame the Iraqis for future problems and the real kicker is that they are going to get more power to rule the country by brute force because actual Iraqis are condoning it. It really makes a lot of sense when you think about it.

Oh, and as a side note I am sure that Republicans will be out in force hailing this as a sign of true progress and the first steps toward a democratic Iraq. Lets see how many times when they are talking about this progress they mention the fact that they had to move the transfer of power forward two days and hold the cerimony secretly to avoid it being bombed.

"Hi my name is Jack Ryan. It is my promise to the voters of the Illinois that if elected I will work to privatize schools, get funding for a missle defense shield, and lower tax rates on corporate earnings.
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And it is also my promise that if you vote for me this November, my ex-wife and I will personally show up to your house and have sex on your bed while you watch and take pictures.
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That's the Jack Ryan promise."

That's of course a parody ad. Sort of. Big news in chicagoland: the recently released divorce papers of Illinois senate candidate Jack Ryan, state that Mr. Ryan tried to get his ex-wife, actress Jeri Ryan, to have sex in "sex clubs" in Paris and New York. In the following excerpt, "respondent" is Mr.

Ryan:

"The clubs in New York and Paris were explicit sex clubs. Respondent had done research. Respondent took me to two clubs in New York during the day. One club I refused to go in. It had mattresses in cubicles. The other club he insisted I go to."

Wow. This senate race in Illinois is shaping up to be a virtually "how-to" book on running for office:

Lesson One: Don't Beat Your Wife. Else we'd probably be sitting here talking about Blair Hull.

Lesson Two: If you want to be a Common-Sense Midwestern, Do Not Go to Sex Clubs in New York and Paris.

Is there anything more alienating and upsetting to mid-west Republicans than just the existence of New York and Paris? Not to even mention the idea idea of their Golden Boy sneaking into a loft in the meatpacking district filled with soiled mattresses.

I was really upset that the Obama campaign had never gotten back to me about volunteering. Guess it doesn't matter much. I have a friend who works in a small-town illinois newspaper, and he gets weekly press releases from Ryan. And every single one just talks about how elite and socialist and evil Obama is to the voters. For someone who is counting on taking some sort of morality lead with voters south of I-80, well, he doesn't have to worry about that very much. Because as much as Republicans in chicagoland may possibly be ok with this news, once you get to Carbondale I think voters may be a bit more judgemental.

Last thought: like most things it's the reaction that's important. Evidently (check the suntimes link above) he spent much of the weekend and past week (and entire election) assuring Republicans, who in Illinois are very shell-shocked these days from scandal, that there was nothing to worry about in that file. It so reminds me of Clinton telling all of his secretaries and spokespeople to bunt for him as he was clearly innocent of any wrongdoing. Man does that bite you in the ass – Republicans are already looking into whether or not they can switch candidates. And Bush is defintely not coming to Illinois to support Ryan. Even if Ryan lets him watch.

Our review of Fahrenheit 9/11 is now online. Verdict: Go see it. Even if you think you'll hate it. It's a long piece, with spoilers all over the place.
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Though the spoilers are such things as "we went to war in Iraq" and "Al Gore ended up losing the 2000 election" – so if that's a spoiler to you you probably are in some trouble.
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Seriously though, the movie is discussed at length, so don't read if it you have already decided to go see it – read it afterwards and argue away with us!
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